Reavis Page Jump LLP

06/18/2026

Alice K. Jump was recently quoted in an HR Brew article regarding employer responses to controversial employee online speech. “We always advise clients to have a politically neutral policy regarding social media. If it’s disruptive, and if the posts are discriminatory or inappropriate in a sort of sexual or discriminatory way, then they can be regulated,” Ms. Jump said.

To read the full article click here:

Hundreds of people were fired for posting about Kirk’s killing on social media. Some have successfully brought claims against their ex-employer.

06/10/2026

Supporting organizations that champion powerful storytelling is deeply important to RPJ, which is why we are proud to sponsor DC/DOX Festival 2026, taking place June 11-14.

DC/DOX continues to create a vital space for dialogue, discovery, and engagement through films that highlight complex issues, challenge perspectives, and inspire meaningful conversations. We are honored to be part of a festival that showcases diverse and thought-provoking documentaries while celebrating the filmmakers behind them.

Congratulations to the DC/DOX team, participating filmmakers, and all those who make this remarkable festival possible!

Learn more here: https://dcdoxfest.com/

06/08/2026

A huge congratulations to RPJ client Viridiana Lieberman on Netflix’s acquisition of “Jean-Michel,” the acclaimed new documentary she directed with Quinn Whitney Wilson.

Fresh off its recent Tribeca premiere, the film explores the life and legacy of Jean-Michel Basquiat, the groundbreaking Neo-Expressionist artist whose work transformed the contemporary art world and established him as one of the most influential cultural figures of the twentieth century. Drawing from never-before-seen archives and the voices of those who knew him best, “Jean-Michel” offers a rare and intimate portrait of the artist behind the icon. Produced with the participation of Basquiat’s family, the film reexamines his enduring impact through a deeply personal lens.

Congratulations to Viri and the entire filmmaking team on this exciting achievement!

Click here to learn more about the film and the team behind it: https://tribecafilm.com/films/jean-michel-2026

06/04/2026

In Alice K. Jump and Lucia Mead’s latest article, which builds on their previous analysis of the Second Circuit’s landmark 2025 decision in Flores v. N.Y. Football Giants, they examine the U.S. Supreme Court’s refusal to hear the NFL’s appeal, the resulting path forward for Brian Flores’ discrimination claims in federal court, and the broader implications for employers relying on arbitration agreements that may be viewed as lacking a truly neutral forum.

Read the full article, link in bio.

05/28/2026

In Hannah R. Brefeld and Lucia Mead’s latest article, they describe how the U.S. Center for SafeSport was created in response to systemic failures in U.S. Olympic sports exposed by the Larry Nassar abuse scandal. Hannah and Lucia explain how SafeSport operates as an independent disciplinary body that investigates and sanctions misconduct in amateur athletics, while giving athletes a clearer path to report abuse and hold perpetrators accountable within sport.

Read more on our website.

05/27/2026

The 2026 Tribeca Festival lineup is here, and we’re proud to celebrate an outstanding slate of RPJ clients premiering this year.

From “Born Melo,” a moving documentary on Carmelo Anthony’s legacy and his son’s emerging basketball journey, to “Kids Like Me,” “Haunting of Pennhurst,” “Jean-Michel,” and “Bang My Box: The Robin Byrd Story,” these films span powerful documentary storytelling, cultural portraiture, and bold narrative vision.

We’re honored to support the filmmakers and creative teams behind these projects as they bring their work to Tribeca this June.

To read more and get links to tickets, click the link in bio.

05/19/2026

In Nafsika Karavida and Lucia Mead’s latest article, they examine the Supreme Court’s oral arguments in Hikma Pharmaceuticals USA Inc. v. Amarin Pharma, Inc., a key case on induced patent infringement involving “skinny-label” generic drugs under the Hatch-Waxman Act. They explore how the Court’s decision could reshape the intent standard for infringement and have major implications for generic drug entry, pharmaceutical competition, and drug pricing.

Read the full article here: https://lnkd.in/eXhUmbvT

05/13/2026

RPJ is proud to celebrate Nicole Page on her recognition by The as one of New York’s most powerful entertainment attorneys!

Ms. Page continues to be a driving force behind some of the most ambitious and groundbreaking productions in entertainment. As longtime counsel to climber and filmmaker Alex Honnold, Nicole played a key role in structuring the deals behind Skyscraper Live, the high-stakes Netflix livestream that drew more than six million viewers as Honnold completed a free solo climb with no ropes, no safety net, and no margin for error.

In addition to representing Honnold for more than a decade, Ms. Page and the RPJ team represent Words + Pictures on a slate of major productions, including NASCAR: The Daytona 500 for Amazon, Miracle: The Boys of ’80, and Hulk Hogan: Real American for Netflix.

We are thrilled to see Ms. Page’s work recognized on such a prominent stage and congratulate her on this well-deserved honor.

05/12/2026

RPJ’s Ethan Krasnoo was featured in Page Six discussing the last-minute settlement in the Blake Lively/Justin Baldoni “It Ends With Us” litigation.

When entertainment disputes make headlines, media outlets turn to attorneys who understand both the courtroom and the industry.

Read Ethan’s insights in Page Six.

05/07/2026

RPJ’s Ethan Krasnoo says the last-minute settlement between Blake Lively and Justin Baldoni was likely the safest move for both sides, helping them avoid the risks, uncertainty, and disclosure of sensitive information that a public trial could have brought. “Settlement allowed the parties to jointly shape a resolution and avoid those risks,” he said.

To read Ethan’s full comments, click here:

The actress was facing an uphill battle, attempting to prove her claims against the film’s director.