Reavis Page Jump LLP

05/28/2026

In Hannah R. Brefeld and Lucia Mead’s latest article, they describe how the U.S. Center for SafeSport was created in response to systemic failures in U.S. Olympic sports exposed by the Larry Nassar abuse scandal. Hannah and Lucia explain how SafeSport operates as an independent disciplinary body that investigates and sanctions misconduct in amateur athletics, while giving athletes a clearer path to report abuse and hold perpetrators accountable within sport.

Read more on our website.

05/27/2026

The 2026 Tribeca Festival lineup is here, and we’re proud to celebrate an outstanding slate of RPJ clients premiering this year.

From “Born Melo,” a moving documentary on Carmelo Anthony’s legacy and his son’s emerging basketball journey, to “Kids Like Me,” “Haunting of Pennhurst,” “Jean-Michel,” and “Bang My Box: The Robin Byrd Story,” these films span powerful documentary storytelling, cultural portraiture, and bold narrative vision.

We’re honored to support the filmmakers and creative teams behind these projects as they bring their work to Tribeca this June.

To read more and get links to tickets, click the link in bio.

05/19/2026

In Nafsika Karavida and Lucia Mead’s latest article, they examine the Supreme Court’s oral arguments in Hikma Pharmaceuticals USA Inc. v. Amarin Pharma, Inc., a key case on induced patent infringement involving “skinny-label” generic drugs under the Hatch-Waxman Act. They explore how the Court’s decision could reshape the intent standard for infringement and have major implications for generic drug entry, pharmaceutical competition, and drug pricing.

Read the full article here: https://lnkd.in/eXhUmbvT

05/13/2026

RPJ is proud to celebrate Nicole Page on her recognition by The as one of New York’s most powerful entertainment attorneys!

Ms. Page continues to be a driving force behind some of the most ambitious and groundbreaking productions in entertainment. As longtime counsel to climber and filmmaker Alex Honnold, Nicole played a key role in structuring the deals behind Skyscraper Live, the high-stakes Netflix livestream that drew more than six million viewers as Honnold completed a free solo climb with no ropes, no safety net, and no margin for error.

In addition to representing Honnold for more than a decade, Ms. Page and the RPJ team represent Words + Pictures on a slate of major productions, including NASCAR: The Daytona 500 for Amazon, Miracle: The Boys of ’80, and Hulk Hogan: Real American for Netflix.

We are thrilled to see Ms. Page’s work recognized on such a prominent stage and congratulate her on this well-deserved honor.

05/12/2026

RPJ’s Ethan Krasnoo was featured in Page Six discussing the last-minute settlement in the Blake Lively/Justin Baldoni “It Ends With Us” litigation.

When entertainment disputes make headlines, media outlets turn to attorneys who understand both the courtroom and the industry.

Read Ethan’s insights in Page Six.

05/07/2026

RPJ’s Ethan Krasnoo says the last-minute settlement between Blake Lively and Justin Baldoni was likely the safest move for both sides, helping them avoid the risks, uncertainty, and disclosure of sensitive information that a public trial could have brought. “Settlement allowed the parties to jointly shape a resolution and avoid those risks,” he said.

To read Ethan’s full comments, click here:

The actress was facing an uphill battle, attempting to prove her claims against the film’s director.

05/06/2026

In their latest article, Tyla A. Swinton and Lucia Mead examine the prevalence of neurodivergence in the workforce and the resulting legal and operational risks for employers who fail to implement proactive, compliant inclusion practices.

04/23/2026

Engel Entertainment's first branded Channel, the The Game Warden Channel (GWC), has just been awarded Silver Status with over 100,000 streaming subscribers in just 9 months. Dedicated to bringing real life stories from the frontlines of wildlife preservation across America and beyond, GWC features frontier life, outdoor law enforcement, and wildlife rescue through dramatic storytelling.

To watch and subscribe to the Game Warden Channel click here:

Welcome to The Game Warden Channel™, your destination for outdoor adventure, conservation, and wildlife law enforcement. From the producers of Lone Star Law and North Woods Law, we’re excited to celebrate the traditions of hunting, fishing, and family-driven wilderness exploration. Tune in for r...

04/21/2026

After more than a decade of litigation, the New York Supreme Court ruled that Modigliani’s “Seated Man With a Cane” was Nazi-looted art and must be returned to the Estate of Oscar Stettiner. RPJ congratulates the Stettiner Estate and its tenacious advocates and research team, including long-time friend Geri S. Krauss working from New York, who labored for a decade to achieve this important win.

To read more about the case, read the full New York Times article here:

A judge ruled against a holding company controlled by David Nahmad, the billionaire art dealer, which had bought the work at auction in 1996.

04/17/2026

On Tuesday, April 21 at 3:30 PM ET, RPJ’s Daniel Ain will speak at a Documentary Producers Alliance (DPA) event, “Rights, Risks, and Realities for Filmmakers,” covering key legal issues in documentary production, including AI, fair use, rights clearance, and distribution.

To register for the event, please click the link in bio.

04/16/2026

In her most recent article, RPJ’s Hannah R. Brefeld discusses the broader impact of Dearica Hamby’s lawsuit against the WNBA and the Las Vegas Aces. Ms. Brefeld examines how the case is shaping conversations both within and beyond the sport around the rights and treatment of pregnant players, while also prompting meaningful policy changes. Underscoring the importance of advocacy not just for oneself but for future generations, Ms. Brefeld highlights the lawsuit’s unique and lasting implications.

To read Hannah’s full article, visit our website here:

By Hannah R. Brefeld Sometimes, the purpose of a lawsuits isn’t financial recovery. Sometimes a plaintiff may file suit to spark public interest, to prompt institutional change, or simply to obtain an apology where none was given. Whatever the motivation, the overarching goal can eclipse personal ...