When providing coverage or script consultation, I am a firm believer in not providing feedback based on a set of rules one gets from a popular book on screenwriting. All coverage should be based on the idea of trying to make a script work on its own terms. I don’t care if a character is active, passive, or reactive, but only if the story works. I don’t care if there is a three act structure and th
e first act ends on page 30, but only if the story works. I don’t care if the central character has a character arc, but only if the story works. I am a great advocate of writers trying to break the rules and find new ways of communicating their visions. I began doing script consultation in 2003 for the Slamdance Screenplay Competition. That year and for the next three years I discovered the first place winner. I quickly became one of their top readers and my coverage is used as the sample on their web site. In addition, I have read for the Slamdance Teleplay Competition (where I discovered the first place winner the first year) and the Horror Screenplay Competition. Also through Slamdance, I originated and co-produced the Slamdance on Stage reading series in which the winners of the competitions were provided staged readings of their scripts at different legitimate theaters around town. At the present time, I provide coverage and am a reader for the Slamdance Screenplay Competition and the Big Break Final Draft Screenplay Competition. Networks/Regent Entertainment, Creative World Awards, the African Film Commission Screenplay Competition and been a judge for the Great Gay Screenplay Contest.
